5,229 Royalty-Free Audio Tracks for "Conducted By Arthur Fiedler"

w:John Philip Sousa's "King Cotton" Recording date not clear according to CD booklet metadata suggests 1989

From Bach "St Anne" Prelude for Organ, BWV552, bars 118-130

Mozart; Piano Concerto No. 27, 2. Larghetto in E Flat Major

Mozart; Piano Concerto no. 27, 3. Allegro

Komm, lieber Mai, und mache (KV 596)

Johann Sebastian Bach (disputed) > Toccata et Fugue en ré mineur BWV565 - œuvre pour orgue. An audio meta_data recording Image:Metadata_BWV565_Attribution.ogg exists for this recording

Ferenc Liszt La Campanella, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Pastiche of music from Richard Wagner's opera Die Walküre.

So fahr ich hin zu Jesu Christ, Schlusschoral der Kantate Der Himmel lacht (BWV 31), Chorstimmen und Trompete

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Richard Wagner's overture to the opera Tannhäuser, played by the U.S. Marine Band for the album Director's Choice.

Opening orchestral introduction to J.S. Bach's Cantata, BWV65.

Morning Mood by Edvard Grieg, performed by the Czech National Symphony Orchestra as the Musopen Symphony Orchestra for the Musopen Kickstarter Project. „Morning Mood” Edvarda Griega w wykonaniu Czeskiej Narodowej Orkiestry Symfonicznej. Čeština: Edvard Grieg: skladba "Morning Mood" (Ranní nálada) hraje Český národní symfonický orchestr. Македонски: „Утро“ од Едвард Григ во изведба на Народниот симфониски орјкестар на Чешка.

Der Kanon Bona Nox als MIDI-Datei. The canon Bona Nox as a MIDI file.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Haydn, Sonata Hob. XVI:29, bars 1-4.

Phrase split into two phrase members from Haydn's Trio no. 1 in G Major.

The intermezzo from Enrique Granados's Goyescas, played in an transcription by the U.S. Marine Band for the album Director's Choice.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution where this article is used in files.

The "March of the Mogul Emperors" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

The "Menuetto" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Movement III, "March", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band.

The "Warrior's Dance" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Movement II, "Intermezzo", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

Debussy Reflets dans l'Eau opening 2 bars

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

Sonata f minor, Domenico Scarlatti, Kirkpatrick 466, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate f-Moll, Domenico Scarlatti, Kirkpatrick 466, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Cello Sonata, op. 19, composed by w:en:Sergei Rachmaninoff in 1901. Excert from fourth movement.

The "Intermezzo" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

piano composition "Humoresque", Op. 10, No. 2

Rossini's "La Danza" performed by Enrico Caruso

W. A. Mozart; Piano Quartet No. 1 in G minor, K. 478, third movement: Rondo allegro

Kindertotenlieder, V. In diesem Wetter, in diesem Braus.

Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.

Johann Sebastian Bach, Kantate Höchsterwünschtes Freudenfest (BWV 194), Schlusschoral Sprich Ja zu meinen Taten

Kindertotenlieder, III. Wenn dein Mütterlein.

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

National anthem of Montenegro "Oj, svijetla majska zoro", instrumental recording performed by the United States Navy Band circa 2008.

An abridged version of Richard Wagner's Das Liebesmahl der Apostel, performed by the United States Marine Corps Band.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750) MIDI file of dubious quality.

Tchaikovsky Symphony No.3 in D major V. Finale Allegro con fuoco (Tchaikovsky) European Archive

Nash Register performed by Touch 'N Go of the United States Air Forces in Europe Band. Track 12 from Broadcast Music Beds (2015).

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"